Posts Tagged reviews
Time Out Cinema
The Time Out juggernaut recently reached Melbourne, and I’ve been writing features, interviews and the occasional review for them. The best part? While you can still ride your dinosaur to your local newsagent and buy it in print, all its content’s online as well! You can’t search by author if you want to find my stuff, unfortunately, but here are some of my personal highlights spanning the first few issues.

I interviewed writer / director Andrew Haigh about his enormously moving drama Weekend and asked him what movie he finds genuinely romantic.
Inspired by Hugo and The Artist, I wrote about other films that wistfully look back at their own ancestors.
I talked to nomadic French filmmaker Vincent Moon about how his famous ‘Take Away Shows’ capture music in a way that regular concert documentaries can’t.
I reviewed the docos Bill Cunningham New York and Autoluminescent: Rowland S. Howard.
Something non-film: I profiled the inspirational Father Bob Maguire about 38 years of fighting the good fight.
And my favourite – because it did what all my favourite interviews do and exposed me to a world I’d never really considered before – I was taken on a walking tour of Melbourne’s cinema graveyards:
According to Dean Brandum, the multi-storey car park next to the Forum theatre is “hallowed ground”. It was once the enormous Majestic Theatre, retooled and refurbished as The Chelsea in 1960. By the mid-70s, however, The Chelsea had become Melbourne’s home of exploitation cinema. “Lots of pornography,” says Brandum, “and lots of European horror like Giallo films. The story goes that you could always see more rats than customers.”
Check out Time Out Melbourne here.
Julia’s Eyes: jmag review
Here’s my quick review of new Spanish horror Julia’s Eyes from the current issue of triple j magazine. I’ve decided I like it even more since I wrote this. A few of the setpieces are still rattling around in my head, and it’s tone reminded me a little of The Haunting…
JULIA’S EYES
Director: Guillem Morales
Starring: Belén Rueda, Lluís Homar
Country: Spain
I’m wary when I see a filmmaker “presenting” another’s film. I figure it usually just means trading a famous name on the poster for a giant-sized cheque. So far, though, Guillermo del Toro (Pan’s Labyrinth, Hellboy) has managed to get two great Spanish horror films a wider release. First there was the excellent ghost story The Orphanage, and now comes Julia’s Eyes.
Belén Rueda plays twins: one who’s killed in mysterious (and, uh, fairly terrifying) circumstances, and her sister who becomes obsessed with uncovering what happened. Both suffer from degenerative blindness that gets worse with fear-induced stress. Julia’s Eyes isn’t remotely concerned with its mystery making sense. It’s bloody fantastic, though, at setting up smart, scary setpieces. Is there someone in the house? Why can’t I see his face? Some of its stylistic gimmicks would’ve failed in lesser hands, but here they’re used to make you feel like you’re going mad.
Julia’s Eyes isn’t as tight as The Orphanage, but they’re both great, old-school rollercoasters, genuinely scary and genuinely fun.
Other reviews this month: Get Low in cinemas; Howl and Unstoppable on DVD.
Issue #51 on sale now.
I Love You Phillip Morris: jmag review
Here’s my quick triple j magazine review of I Love You Phillip Morris, finally stumbling into Australian theatres after an embarrassingly long wait. I wish I could say I found it worth waiting for; the true story it’s based on is certainly a fascinating one.
I LOVE YOU PHILLIP MORRIS
Directors: Glenn Ficarra & John Requa
Starring: Jim Carrey, Ewan McGregor, Leslie Mann
Country: USA
FYI: I Love You Phillip Morris isn’t viral marketing for cigarettes.
It’s a comedy featuring major stars that’s taken two years to get a limited Australian release. Why? Maybe because it’s about a gay romance. I wanted to fall in love with this movie on principle – but despite being fast and fun, it’s missing something fundamental.
Steven Russell (Jim Carey) is a con man who’s used to living lies. When he ends up in jail for insurance fraud – because “being gay is really expensive!” – he meets the softly-spoken Phillip Morris (Ewan Macgregor). They fall in love, and Steve promises that they’ll never be apart again.
In Phillip Morris, Jim Carey acts like he’s starring in a glib, old-fashioned farce. (Like Lisa Simpson says: “He can make you laugh with no more than a frantic flailing of his limbs!”) Unfortunately, Ewan McGregor plays his role as a real human being. Their two styles completely fail to mesh, and their romance seems like it’s between different cinematic species.
Other reviews this month: Biutiful and Brighton Rock in cinemas; Megamind, Unthinkable, and Doors doco When You’re Strange on DVD.
Issue #49 on sale now.
The Twilight Zone Season One: jmag review
Here’s a quick triple j magazine review of the amazing first season of The Twilight Zone, now out on blu-ray. I get a little evangelical here, but who can resist a dimension as vast as space and timeless as infinity? Not me.
TWILIGHT ZONE SEASON ONE
Creator: Rod Serling
Starring: Too many to name
Country: USA
Commentary tracks and deleted scenes seemed so entrancing when DVDs first appeared, huh? Man, the novelty wore off fast. Occasionally, though, pop culture archaeologists dig up something that makes it all worthwhile. The new Twilight Zone set, collecting the first season from 1959, is a time capsule: commentaries, lectures, old sponsor advertising, and creator Rod Serling’s original pitch to the TV networks. He sells his show like a pre-Mad Men Don Draper.
Unfortunately, those extras are only on the fancy blu-ray collection, but show itself is available on DVD. And it’s more than just a time capsule. It still feels alive today. Watching it will make you embarrassed for a lot of the TV we’ve made since.
The Twilight Zone took the burbling anxieties of the time – alienation, nostalgia, war – and turned them into 20-minute nightmares, week after week, aided by some of the best science fiction writers of the day. They created little morality plays with limited budgets, gorgeous black and white photography, and narration that sounds like poetry.
Other reviews this month: The Adjustment Bureau and Never Let Me Go in cinemas; the probably-better-than-the-original Let Me In on DVD.
Issue #48 on sale now.